We’re excited to premiere All That Is And What Ain’t, the brand new album from Philadelphia alt-country trio Bug Martin & Co. The follow up to last year’s Gutterball feels moodier and more reflective of our current times with songs…Read more
North Jersey indie Pyrrhic Victory are keeping busy producing bands and their shows. The label has three new releases out. Scary Hours, the one-man project name of singer-songwriter Ryan Struck, recently released a PVR single, “Live to Serve/Serve to Live.” Scary Hours will play with label mates The 65’s on August 18 at Harp N Bard, Clifton. The Components and Summer Husbands will share the bill.
In support of their self-titled debut LP, Philly synthwave band Retroglyphs will play August 3 at Mill Hill Basement, Trenton, with Bar/None recording act Overlake and goodnight/goodluck. PVR recently reissued the 1987 single, “Faith Is Torn,” of Voice of Doom, featuring members of Samhain and Dag Nasty. Voice of Doom will reunite to play a show PVR is presenting with fellow North Jersey indie labels Mint 400 Records and Sniffling Indie Kids on September 18 at Pet Shop Bar, Jersey City, also with The Components and John Cozz.
The aforementioned 65’s have a tasty show coming up Aug. 30 at John and Peters, New Hope, Pa., with Mr. Payday and Secretary Legs. Due in the fall from PVR will be the latest record by the rootsy two-piece Hidden Cabins.
Galanos Deceiver Receiver Review - Chronogram Magazine - 5.14.18
"Half punk, half surf, all despair." Without digging too deep into the expanse of darkness and the lust for shadows their crushing pieces yield, this is how Kingston-based foursome Galanos describe themselves. Lead singers Gregory Jaw (who also plays guitar) and Netochka Nezvanova alternate between solo voices on some tunes and a gloomy interwoven mist on others. The opener, "Loneliest of Men," is despairingly savage and reminiscent of the Cramps' punk/gothabilly sound, which in an interview the band bleakly described as thus: "We rotate in a frozen, violent, self-defeating space. The altar is full of self-sacrifice and we destroy ourselves for nothing." "Flashbomb" is shockingly evocative of early Nick Cave, both vocally and musically, and heavily bass-and-drum-driven with a bit of Pixies guitar thrown in. Stay on the lookout for this album, if desolation is your draw.